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perjantai 20. joulukuuta 2013

Sendelica: The Megaliths – The Movie Soundtracks Volume 1 & 2

Self-released


Welch psych/space rock band Sendelica has from the beginning been interested also in films and making soundtrack music, so it’s only natural for them to release an album full of music used in movies. And they sure know how to create atmospheric, spacey and floating soundscapes! The standard version of The Megaliths – The Movie Soundtracks Volume 1 & 2 is limited to 200 numbered copies and includes two discs and well over two hours of music. The earliest stuff included was recorded in 2008 to Grant Wakefield’s art house movie “Sleepwalker Fever”. This gave the band the possibility to “explore more ambient & chilled out landscapes”, and they have continued on that path as well as keeping on rocking. Since then, they have recorded soundtrack music to three more movies, “Trillian Eight” (2010), “Ritual” (2011) and “When the Rising Apes Meet the Falling Angels” (2012). Most of the stuff herein has not been released in audio format before. There is also a very limited (just 25 copies!) 3CD version that comes in a cool box and also includes a build-it-yourself Sendelicahenge megalith model! This is sold-out already, of course… You can also just buy the digital version from the band’s Bandcamp site.

The album begins with a version of “Maggot Brain” by Funkadelic entitled “Return of the Maggot Brains”. This starts off with strange swooshes and narration, and then we have the much loved, simple but beautiful guitar chords and very nice solo guitar work. We also get some psychedelic, effected spoken samples later on. This is a rather different version than the one Sendelica recorded for the Fruits de Mer 7”. I love it! “To Create Is Divine” is another peaceful, heavenly ambient piece that turns into sort of soft dub and also has great, jazzy saxophone. “Mr. Floyd Walker” is very dreamy and floating at first, but there are also some electronic elements later on. “Possessor of Your Heart” is a bit shorter (just 7:39!) experimental ambient track with jazzy sax and “Sun of Sunfaded” a pleasant, sunny and positive piece with soft drums, bass, pretty guitar and saxophone. “Trillian Eight” is an almost 30-minute megalith that starts off very slowly. There’s a lot of different, experimental, strange but lovely stuff happening in this one… Psychedelic bliss. “Arizona Beginnings” is a more song-oriented, peaceful and pretty track and “Soundscape in G”, as you might have guessed, a more droney affair. “Sketches of Cardiza” has a slow, nice bass line, quiet guitar and some more moody sax. Very small-scale but enjoyable. “I Don’t Wanna Be Your Satori” is very quiet at first but it grows a bit along the way into hypnotic, mesmerizing haze. The longest track on this compilation is the 31-minute-long “When the Falling Angels Meet the Rising Apes” that is also the track that rocks out the most. There’s a steady drum beat going on and lots of guitar jamming. After ten minutes the track cools down into laid-back ambient for a while, and then we get some bluesy freak-outs until things get peaceful again. What a wonderful way to end this marvelous, laid-back and floating release! If you are a fan of the more ambient Sendelica stuff this release is definitely for you.



keskiviikko 18. joulukuuta 2013

Paranoid Motives: 2

Paranoid Foundation (PF15)

 
This is the 15th release by the very productive, non-gigging Paranoid Foundation crew fronted by Cris Lee. If you are familiar with this bunch you know what you’ll get: cold, dark, industrial and sometimes hallucinogenic ambient soundscapes with gloomy, urban narrated stories. But there’s more. At 35 minutes this release is a bit longer than usual, but the 14 tracks are all pretty short (from just under two minutes to 3:41 in length). The tracks that draw my attention the most are “A Few Moments Adrift” and “Something I believed In” with their beautiful, melancholic piano, the more rhythmical, hypnotic and psychedelic “They Lose Me” and the post-punk styled, more rocking tracks “Era of Refusal”, “On the Market”, “New Logic” and “No More Disater” in particular. The rest is pure experimental, avant-garde, dark ambient stuff, and that’s just fine. Apart from the piano (Ferhun Kahraman) mastering and artwork (Andrew Walker) everything is done by Cris Lee and Rory Kettles, and they have once again done a good job. There is a right moment for this kind of music as well. The album is only available as a digital download from iTunes, Amazon, CD Baby etc.

www.paranoidfoundation.com

soundcloud.com/paranoidfoundation/they-lose-me

Top 20 gigs I saw in 2013

In alphabetical order:

Black Sabbath: Hartwall Arena, Helsinki
Camera (their own gig & the gig with Michael Rother): Roadburn Festival, Tilburg
Carlton Melton: Liverpool Psych Fest
Circle & Mika Taanila: Pneuma Festival, Kiasma, Helsinki
The Cosmic Dead: Roadburn Festival, Tilburg
Dead Skeletons: Kuudes Aisti Festival, Helsinki
Death Hawks: Le Bonk, Helsinki
Electric Moon: Roadburn Festival, Tilburg
Jacco Gardner: Liverpool Psych Fest
Goat: Roadburn Festival, Tilburg
Moon Duo: Liverpool Psych Fest
The Oscillation: Liverpool Psych Fest
The Pretty Things: Roadburn Festival, Tilburg
Psychedelic Warlords: Roadburn Festival, Tilburg
Tame Impala: Vega, Copenhagen
Ufomammut: Kuudes Linja, Helsinki
Uncle Acid: Roadburn Festival, Tilburg
Vibravoid: Slip Inside This Club, Bar Loose, Helsinki
White Hills: Kuudes Linja, Helsinki
White Manna: Liverpool Psych Fest

It was a great year!!!

Some videos from those gigs:


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

tiistai 17. joulukuuta 2013

The Cosmic Dead / Pigs Pigs Pigs Pigs Pigs Pigs Pigs Pigs: Split

The Old Noise (TON001)

 
Glasgow-based psychedelic space rockers The Cosmic Dead have been big favourites here at Psychotropic Zone for a few years now. I’ve also been lucky enough to see them live at Roadburn Festival and Liverpool Psych Fest, and both times the band was very successful in totally blowing my mind. Pigs X 7 is a new band from Newcastle that I had not previously even heard about. They maybe have a bit more punky and experimental touch than TCD but are very well suited to be included on the same LP with them.

There is one, massive, over 20-minute track by each band. On the A side TCD performs a very hypnotic but also groovy track called “Djamba”. A 10-minute live version of this track has been previously released on the Live at the Note tape (now when do we see a vinyl version of that?), but this is pretty different and twice as long so it doesn’t matter. The rhythm section lays down a mesmerizing but surprisingly groovy beat while the guitars and synth create a hallucinogenic drone on top of it. This is instrumental stuff as usual, but there are some spoken words in the middle to enhance the highly psychedelic, trippy vibe. Things get a bit more intense towards the end, especially in the drum department, before the track dissolves into million little sparkles in the end. This is an excellent, atmospheric and spacey track that will get you “out there”! On the flip side, “The Wizard and the Seven Swines” starts to rock out almost right away with a heavy, punky and repetitive mid-paced guitar riff and pounding rhythm section. The rough vocals join in shortly. Is this some sort of kraut punk? The simple but very effective chorus is closer to stoner rock. There are also some more new, rocking sections and slower, even noisy parts to keep things interesting for over 20 minutes. This is not overtly psychedelic or spacey but energetic and I do like it. This limited album comes on nice transparent purple vinyl and will probably sell out rather soon.

thecosmicdead.bandcamp.com/

www.facebook.com/PigsPigsPigsPigsPigsPigsPigs



maanantai 16. joulukuuta 2013

Octopus Syng now at Bandcamp!

Check out the two first albums by Finnish psychedelic rock/folk/pop band Octopus Syng:




Astral Visions Radio: Some of the Best Stuff in 2013 (show #47)

Astral Visions Radio Show - Music from Psychotropic Zone, is hosted by DJ Astro

E-Musikgruppe Lux Ohr - "Prolog im Himmel" (from Kometenbahn)
White Hills - "In Your Room" (from So You Are...So You'll Be)
White Manna - "I'm Comin Home" (from Dune Worship)
Monster Magnet - "Last Patrol" (from Last Patrol)
Vibravoid - "Magic Mirror" (from Delirio Dei Sensi)
The Black Angels - "I Hear Colors (Chromaesthesia)" (from Indigo Meadow)
The Oscillation - "Descent" (from From Tomorrow)
The Bevis Frond - "Opthalmic Microdots" (from White Numbers)
Permanent Clear Light - "Constant Gardener" (from Beyond These Things)
Black Lizard - "Fucking Up" (from S/T)
The Lucid Dream - "A Mind at Ease Is a Mind at Play" (from Songs of Lies and Deceit)
Wooden Shjips - "Ghouls" (from Back to Land)
Chrome - "Fukishima (Nagasaki)" (from Half Machine From The Sun)
Goat - "Disco Fever (Live)" (from Live Ballroom Ritual)
Death Hawks - "Black Acid" (from S/T)
Causa Sui - "The Juice" (from Euporie Tide)
Earthless - "Equus October" (from From the Ages)
Spids Nogenhat - "Lolland Falster" (from Kommer med Fred)
Oresund Space Collective - "Neptune Rising" (from Organic Earthly Floatation)
Hawkwind - "Sacrosanct" (from Spacehawks)
The Cosmic Dead- "Inner Sanctum" (from Inner Sanctum)
Kimi Karki - "Taxiarch" (from The Bone of My Bones)

Just go to:
aural-innovations.com/radio/astral.html

The Higher Craft: Solar Tides

Self-released CD-R

 
The Higher Craft from the UK has gone through some line-up changes and seems to now focus on highly limited, personal CD-R editions instead of officially released CD’s. This is a 54-minute album (they call it an EP) including mostly new studio tracks, a couple of re-masters and also some live recordings. The track info on the nice looking cover booklet is way too small for us humans to read (probably for fairies only), but I can still make out the track titles. The music is a nice mixture of psychedelic, dreamy and atmospheric soundscapes, folky pagan vibes, space rock and metal. Even some electronic music!
 
“Solar Tides” starts off things in a mysterious, dreamy way. “Flight Horns” has acoustic guitar and a somehow jazzy vibe. “Travel Unto Thee” starts to rock out more and there’s also some heavy metal guitar and double bass drums. “Can You See in the Dark?” is a short, a bit strange electronic dance song, and “Window in the Water” an acoustic folk piece with dreamy, beautiful atmosphere. I like this one! “My Philosophy (Re-Mastered)” is similar in style but a lot weirder and darker. Another re-mastered track is the wonderful “Gateway, 2nd Movement” that is perhaps the best piece on this release. Nice combination of acoustic and electric instrumentation. “Lunar Tides” is another favourite of mine. It begins in a very spacious, ambient and experimental way but then there’s some soft, hypnotic electronic beat, synthesizers, psychedelic effects etc. “The Receiver (Live @ Alchemy 2012)” rocks fast and hard and has a rather good sound quality as well. Unfortunately the sound quality is not that good on the interesting The Magic Mushroom Band cover “Magick Eye (Live Cover @ KKPDF 2011)” or “Lazy Daisy (Live @ Deep in the Woods 20120)” but the great vibe is still transferred. The disc ends with a short, hallucinogenic narrative piece “Terminator”. Wow! I really wish this band would make another proper album release like The Quest into the SteppingStoneAge masterpiece. The singer Christina Poupoutsi is also preparing her solo album which should be pretty interesting.